Sunday, July 8, 2012

Child Actors on Broadway


I’m so thrilled to post my first installment of my new series. This column focuses on child actors and what goes on during the run, why and when they leave and what happens after their run has ended.
Earlier this week I was re-watching one of my favorite and in my mind one of the most interesting show documentaries called “Life After Tomorrow.” The film explores the lives of the little girls who played Annie and the orphans in the original Broadway production and National Tours of Annie post-show. Over the course of the documentary many of the former orphans opened up and discussed their experiences with the show, what it was like coming home after their contracts ended and what life has been like since then. The movie explored both the positive and negative aspects as well as establishes some very valid points that I wanted to explore more.
         The film opens up with Julie Stevens, director of the film and as she describes “I was one of the lucky ones who got to play and orphan in both the Broadway cast and National Tour of the show.” Lucky she was. Growing up most of us probably dreamed of that. I mean who wouldn’t want to be an actor who was in a huge hit, signing autographs and making special appearances. But, on the flip side as it was described in the film what happens after their contracts end?
         In the world of Broadway and most professional theatre companies children have to fit a certain criteria to be in a show. Children cannot be over a certain height and weight and once they get too big for the part they are let go or asked to leave. Now while each show might have different requirements based on the character and such productions do this for obvious reasons. They don’t want a tall (for the age) child playing Little Orphan Annie or young Cosette. Actors can stay in the role until thy either grow out of it or choose to leave the show. Sometimes children might stay in a role for as long as two years before they leave, as they just have not out-grown the part. Stars like Lea Michele and Andrew Kennan-Bolger both stayed with their roles as young Cosette and Chip respectively for year at minimum, Michele also stayed with her role as the Little Girl in the Ragtime for a year and that is not counting the Toronto run. Now, why do some choose to leave? Well, they might have another job lined up or maybe they just feel like it is time to move on. At times you’ll find that theatres like it when the child (and the parents) decide to leave because it helps soften leaving a bit as it is like you chose to leave and not, “we made you leave because you’re too big.” The theatre company wants the kids to have a great experience and not have it possibly end on a sour not if they can avoid it (I’m not saying that all experiences when child actors were asked to leave ended poorly).
         Now what happens during the run? While the kids are at every show you’ll find that most of these actors have very normal lives. While some are homeschooled, most probably live outside of the city and go to a normal school. They are involved in other activities do things that kids do, they just happen to also be in a Broadway show!
         What happens after their contracts end? Well, I’m not gonna lie, it’s hard getting jobs for actors on Broadway especially child actors. The definitely aren’t as many roles as there are for adults and for kids if you are over a certain height and weight you can’t get the job. One can only imagine how tough it is to get work in the New York theatre scene after a certain age when you are too old to play a young child and to little to play an older role.  In the Annie documentary it is all about what their lives were like after leaving the show. That show was so big and the girls who played Annie and the orphans were celebrities but as said in the film, once they left most faded from the spotlight quickly.
 Now child theatre actors today. Most continue auditioning after leaving a role while going to school. These young theatre actors are insanely talented and I know that we will be seeing some of these kids at future Tony Awards and some child theatre actors you can see on TV in Glee and Victorious.
So child acting on Broadway. Is it tough-absolutely, but does it give them experience, tools and resources that they can use down the line-most definitely. These kids are vital to the shows that they are in to tell the story and with some hard work and determination they can hopefully continue to get work and blossom into incredible adult performers!

Saturday, July 7, 2012

Announcement-New Series!

Hello my lovelies! It has been far too long since I’ve updated this as usual with me life and other things got in the way as I kept putting off writing a new column. But, nevertheless I have been working on a new series of columns, that explore the world of theatre from different aspects such as production and show promotions, child actors, understudies, cast replacements, how/why a show is considered a flop/successful, what audiences like and more! I hope that these columns give all of you a glimpse into the world of theatre that delves further into more than just focusing on the acting aspect and I hope that you enjoy them as much I did writing them and learn more about the world of theatre. Always feel free to leave comments or send me a message with any ideas you may have for column topics!

Saturday, June 9, 2012

2012 Tony Predictions

Hello to all you lovely readers! So one of my favorite nights is tomorrow-Tony Awards!!!! The Tonys being the Oscars of Broadway, marks the one televised night where all of Broadway comes out to celebrate the season and honor the winners. Of course leave it to me to publish my predictions column until tonight, the eve of the Tonys! Please remember that these are my own opinions and predictions do not reflect the opinions of the Tony voters!




Best Play

Who will win: Clybourne Park. While this season has so many new plays, Clybourne Park is definitely one of the best critically acclaimed pieces and from the press and the buzz it has been getting it looks like it is the favorite and front runner to win.

Who I think should win:Peter and the Starcatcher. Peter was one of the best new plays that I have seen. It was funny, creative, imaginative and the cast in brilliant the not to mention critics loved it! Compared to other plays this season and past ones Peter is so different because it appeals to both adults and children, it has a sense of innocence about it while making you use your imagination-a Tony win is definitely deserved!

Best Musical

Who will win: Once. It was one of the best new musicals that I have seen in a long time! It is not only the best critically acclaimed new musical of the season but all the elements of the show from the music and acting are all so beautiful and produce this new piece of work that it so touching and real that I think the voters are really liking.

Who I think should win: Once. It was beautiful, moving and touching. I enjoyed it immensely both times I saw it!

Best Book of a Musical

Who will win: Enda Walsh for Once. While the book was well written, it was not my favorite of the season but I still think that it will win see above for why.

Who I think should win: Harvey Fierstein for Newsies. The book was great filled with well-written and fully developed characters.

Best Original Score

Who will win: Newsies. The music is wonderful, fun and energetic! I can’t stop listening to it!

Who I think should win: Bonnie and Clyde. While I love Newsies, I also adored B&C. I think the music to it is so different and fresh. But, people seem to have a bias against Frank Wildhorn and the voters also seem to prefer shows that are still currently running.


Best Revival of a Play

Who will win: Death of a Salesman. This play seems to be the event of the season, garnering rave reviews it appears to be the front-runner with a lot of steam behind it.

Who I think should win: Master Class. I loved this production! I think that Maria Callas is such a difficult and demanding role to play and that was done so beautifully by Tyne Daly. It is the dark horse in the category so while I know that it most likely won’t win I’m holding out a little bit of hope.


Best Revival of a Musical

Who will win: Porgy and Bess or Follies. I think that it comes down between these two and as I loved both of these it is hard to tell. However, Porgy is still running and they have Audra which might give them an edge.

Who I think should win: Porgy and Bess or Follies see above.


Best Performance by a Leading Actor in a Play

Who will win: Philip Seymour Hoffman for Death of a Salesman. He gave an amazing performance that was so moving and the voters seem to vote more now for the Hollywood stars for Tonys.

Who I think should win: Philip Seymour Hoffman for Death of a Salesman. While James Corden is definitely the one to watch for tomorrow night I think that Philip Seymour Hoffman’s performance is definitely worthy of a win and will be a beautiful way to honor the show.


Best Performance by a Leading Actress in a Play

Who will win: I’m thinking that Tracie Bennett for End of the Rainbow will win. While she is not the first and definitely not the last actress to play Judy Garland, what makes her performance so stunning is that she really captures Judy Garland and her behavior during her final months.

Who I think should win: Either Nina Arianda for Venus in Fur or Tracie Bennett for End of the Rainbow. Nina is brilliant in Venus going back and forth between characters and accents then Tracie Bennett came along with her phenomenal portrayal of Judy Garland so for me it’s a toss up between the two.

Best Performance by an Actor in a Leading Role in a Musical

Who will win: I think that Steve Kazee for Once will ultimately take home the trophy. His performance is mesmerizing as his character is a different one by musical theatre standards and people seem to like that.

Who I think should win: Steve Kazee for Once see above.

Best Performance by an Actress in a Leading Role in a Musical

Who will win: Audra McDonald for Porgy and Bess because she is Audra McDonald and her Bess is just so incredible and amazing.

Who I think should win: While I love Jan I would love to see Audra win but I’m also holding out hope for Cristin Milioti for Once as her performance really holds the show together and I came out just wanting to know who she is and what she might do next.

Best Performance by a Featured Actor in a Play

Who will win: It’s a toss up between Christian Borle for Peter and the Starcatcher and Andrew Garfield for Death of Salesman. Both men gave wonderful performances and both seem to be neck in neck so it’s hard to determine.

Who I think should win: Christian Borle for Peter and the Starcatcher. He was so funny and I loved everything he said in that play. This is a very new meaty role to play that I think he has nailed.

Best Performance by a Featured Actress in a Play

Who will win: Celia Keenan-Bolger for Peter and the Starcatcher. What she does in the play is so challenging and demanding as she is driving force that really holds the show together and she does it while being funny, smart and witty. Lets not forget to mention that she is the only female in the cast!

Who I think should win: Celia Keenan-Bolger for Peter and the Starcatcher see above.


Best Performance by a Featured Actor in a Musical

Who will win: I’m thinking that David Allan Grier for Porgy and Bess will take it as he really shines in this production!

Who I think should win: For me it comes down between David Allan Grier and Phillip Boykin for Porgy and Bess as I felt that they both really shined in the production. They both have invested a lot into their characters and it is evident.


Best Performance by a Featured Actress in a Musical

Who will win: Judy Kaye for Nice Work If You Can Get It. The theatre community loves her and she is sole actress who I felt was the most consistently funny throughout the show!

Who I think should win: Judy Kaye for Nice Work If You Can Get It. See above.


Best Direction of a Play

Who will win: Mike Nichols for Death of a Salesman. His direction was beautiful and seamless as was the production and again this show is coming into the Tonys full force with a lot of energy behind it.

Who I think should win: Roger Rees and Alex Timbers for Peter and the Starcatcher. While I feel that they should win as what those actors do is so intricate and is almost like choreography which takes very incredible and precise directing. However, what makes me put it here is that I can’t help but wonder if having two directors will hurt them.

Best Direction of a Musical

Who will win: John Tiffany for Once as he really took a film that was so so and transformed it into a very beautiful and moving stage show.

Who I think should win: John Tiffany for Once see above.


Best Choreography

Who will win: Christopher Gatteilli for Newsies. His choreography is so demanding and wonderful to watch and I think that the voters might favor that.

Who I think should win: Christopher Gatteilli for Newsies see above.


Best Orchestrations

Who will win: Either Martin Lowe for Once or William David Brohn and Christopher Jahnke for Porgy and Bess. If Once sweeps the awards which I’m thinking it might, than I fully expect Lowe to win, However, Porgy has been so updated that I would not be surprised if the committee wants to honor that.


Who I think should win: William David Brohn and Christopher Jahnke for Porgy and Bess see above.

Wednesday, January 18, 2012

SMASH is a smash


A TV show about a Broadway musical sounds a bit overzealous. To us theatre nerds and forgive me for being cheesy but it’s a dream come true. While we already have the wildly popular Glee, one of my personal favorite TV shows, legendary director Steven Spielberg wanted a bit of action and has successfully taken a slice of the Glee-pie with his new show SMASH. While it is a big risk as Broadway and theatre in general is such a narrow interest but Spielberg pulls it off as only Spielberg can.
The show SMASH tells the story of the making of Broadway musical. Successful music and book writing team Tom Levitt(Christian Borle) and Julia Houston(Debra Messing)want to bring Hollywood icon Marilyn Monroe to life in a lavish, full-out musical. With a director in place they set out to find their Marilyn and find themselves stuck between two actresses that fit the bill but who couldn’t look and be any more different. Throughout the season viewers will be taken on a realistic ride through the ups and downs of creating and bringing a show to the big Broadway from cast decisions, the creative team to money matters.
The pilot, which is currently, a free download on iTunes until its television debut after the Superbowl on February 5 is absolutely brilliant! The original music is spectacular and the idea for the show-within-the show is so well developed and though out that it could be successfully transferred from the silver screen to the Great White Way. The show is a “smash”-no pun intended but I hope that it can maintain the momentum and attract an audience that it will need to keep the ratings strong and the show afloat. The cast is stupendous and not only do I love seeing so many Broadway people from Christian Borle to a cameo appearance by one of my favorites Annaleigh Ashford by the other big names that they have such as Angelica Houston and the talent that they bring. Ms.Houston is flawless and American Idol runner-up Katharine McPhee is sensational as Marilyn hopeful Karen. She brings a different look and dynamic to the role where Broadway vet Megan Hilty who plays other Marilyn hopeful Ivy looks the part and brings along mad set of vocal chops to go along with it.
The one-hour episode is chalk-full of theatre references and jokes that will make the day of any Broadway fan. So, if you want to view the next big thing in theatre go to iTunes and download the pilot of Smash for free today through February 5. I swear you won’t regret it!