Wednesday, November 28, 2012

Murder Ballad Takes No Prisoners


All is not fair in love and war. This old adage could not ring any more true to the new Off-Broadway musical Murder Ballad over at Manhattan Theatre Club New York City Center.
This stunning production consisting a four-person cast of seasoned and award winning theatre royalty vets. Throughout the 80 minute performance the narrator, Rebecca Naomi Jones (American Idiot) tells the story of a love triangle involving of a woman named Sara (Tony Award Winner Karen Olivo) who starts a steamy affair with her ex rocker boyfriend Tom (Will Swenson Hair and Priscilla) after becoming dissatisfied with her life with her patient, loving and nerdy husband Michael (John Ellison Conlee) and daughter with a major twist at the end. The entire show is sung with beautiful and enticing book and music by theatre newcomers Julia Jordan and Juliana Nash and flawlessly directed by Lynne Meadow gives the production its sharp edges that make it so incredible to watch. The brilliant cast performs in a bar setting, interacting with the onstage audience throughout the shows duration giving it a sense of realism by breaking the fourth wall that it makes the simplicity of it so beautiful so that your sole focus in on the actors and the gripping story they are telling.
As stated earlier the whole cast is phenomenal. Rebecca Naomi Jones is a fierce and edgy narrator with the pipes to match.  John Ellison Conlee gives a heart wrenching performance of doting husband that makes your heart break when all comes to fruition. Will Swenson brings out the vixens in all of us with his electrifying performance as Sara’s’ ex and lover Tom. The always amazing Karen Olivo delivers a standout, captivating and flawless portrayl of the torn woman Sara dare I say it is perfection in her return to New York City Theatre.
Their performances all bring a different element to the production, showcasing the writers beautiful story and lyrics flawlessly. They don’t water it down and talk down to the audience quite the opposite. They interact with onstage audience members the entire time and deliver the story with the sharpness of a knife. Its edginess is what makes the production so stunning and captivating to watch. You leave the theatre replaying scenes in your head and wanting to know more about these characters who are just everyday people, which is what makes them intriguing.
The story hits home to some but it doesn’t leave an audience member too quickly after final curtain. It stays with you and makes you think, wonder and question. That is what makes it a beautiful piece of theatre, something that we need to see more of-bold new and different pieces that leave you with a question or thought.
Murder Ballad is gut wrenching and the creators knew exactly what they wanted to achieve and that is exactly what they did. They have reinvented and revitalized their very particular genre in the world of theatre that does not disappoint.

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