Walking down the streets of New
York City aka the mecca that is the theatre district you can’t help but notice
that a number of the bright shining marquees have the names of some of the most
well known artists and music genres with the word “musical” attached to it blaring
right in front of you. From Janis Joplin to Carole King to the Motown music
period it seems as if Broadway is now the hot spot for musicals based off of
music icons.
This isn’t
the first time that a popular trend like this has hit the great white way. Back
in the late nineties and early 2000’s Disney was the king of New York-no pun
intended churning out massive hit after hit from Beauty and the Beast, The
Lion King and Aida. A few years
ago it seemed like every new musical was based off a movie from Legally Blonde, to Shrek to The Addams Family
all opening in the later years of the last decade and two years ago Broadway
was getting religious with revivals of Godspell
and Jesus Christ Superstar and
new musical Leap of Faith all
opening. Now the hot trend is musicals telling the stories of iconic artists.
This is not the only time that this
type of show has taken a bow on Broadway.
The Tony-winning hit Jersey Boys,
the story of Frankie Valli and the Four Seasons opened in 2005 but that was eight
years ago why is musical type so popular now? Theatre historian and producer
Jennifer Ashley Tepper says that there are a few reasons. “First of all, while
there have been many musicals in the past that use an icon’s music to tell
their story, Jersey Boys, in 2005,
made the genre successful in a new way. After every juggernaut musical come
many musicals that play on the same trend in order to try to find the same
success. Secondly, one of the reasons people go to musicals is to hear music
they love. A lot of the time they don’t trust that they will love music they
are hearing for the first time, so it’s an incentive when ticket buyers know
they will hear the songbook of a writer they already like.”
While these
shows are interesting to producers and creative team members as it gives them
the ability to form and shape the story they want to tell around a certain
artists or genre of music and how the music fits in as Tepper points out “working
on a show like Beautiful or A Night With Janis Joplin requires
research into real-life events and a concept for how to integrate those with
the artist’s music.” However, they are
also incredibly popular with audiences.
Jersey Boys has broken many ticket sale records and it’s almost impossible
to get a ticket to Motown. But why do
people want to come see these shows if they can just listen to artists music on
their Macs and watch vintage performances on YouTube or an E! True Hollywood
Story? Tepper says, “audience members want to learn more about people who
really existed, when they already know that they enjoy their music.”
It seems as
if that this particular jukebox musical subgenre has become one of the most
attempted but one of the most growing and popular forms of musical. Tepper says
that this subgenre “has come to be interpreted by many as the most genuine,
artistically ambitious one. Jukebox musicals have become so popular because
more and more audiences want to hear songs they already know at the theatre.”
Currently
on Broadway, besides Jersey Boys there
are three new jukebox musicals playing, You can go back to the time of Berry
Gordy and the creation of Motown music in Motown,
the 60’s with Beautiful: The Carole King
Musical or with Janis in A Night With
Janis Joplin. They all tell compelling
true stories through music that make you wanna get up and dance which is where
the heart and soul lies in this new wave of musicals that are taking Broadway
by storm.
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