Thursday, May 30, 2013

Favorite Tony Awards Speeches Part One


So it’s my favorite time of year again-broadway awards season!! It’s always exciting here in the big apple for us theatre nerds as a buzz and electricity that fills the theatre district. In April new shows are opening left and right giving me so many new productions to experience and in May through mid June the shows get recognized and honored all leading up to the Tony’s-my favorite awards show!
Besides the incredible performances what I love most about the Tony’s(or any awards show for that matter) is the acceptance speeches from the heartfelt/sobbing to the downright comedic there are just so many good ones that I have compiled my list of my Top 10 Tony Acceptance Speeches!

10. Katie Finneran-Promises,Promises 2010

What a truly inspiring speech with her tribute to her now husband and how she reached out to kids by telling them to follow their dreams.


9. Nathan Lane-The Producers 2001

Always a class act, bringing co-star Matthew Broderick out with him to accept the award. Incredibly grateful and poised he dedicates his well-earned honor to his late mother.


8. Lea Salonga-Miss Saigon 1991

Amazing reaction, grateful, touching and classy for the amazing Ms. Salonga!


7. Kristin Chenoweth-You’re a Good Man Charlie Brown 1999

Not only was she incredibly shocked but just knowing the she only had about 30 seconds to change from her costume after her performance to her dress makes it that much more enjoyable!


6. Audra McDonald-Porgy and Bess 2012

With a beautiful and touching tribute to her daughter Zoe, I had a tear or two streaming down my face by the time she was done. Incredible actress, work and speech simply, Audra McDonald is INCREDIBLE!!


Part 2 Coming Soon!!!

Monday, April 22, 2013

When I Grow Up


When I grow up- that’s something that we hear all the time when we are kids. We are asked what we want to be, do and are told that we can do something when we are all grown up and as kids that seems like a lifetime away. In the new Broadway show Matilda, direct from the West End in London, the song “When I Grow Up” plays into the fantasy and notions of what it is like to a child to be a grown up. “And when I grow up, I will eat sweets everyday on the way to work and I will go to bed late every night. And I will wake up when the sun comes up and I will watch cartoons until my eyes go square and I won't care cause I'll be all grown up.” As the children sing these words, you yourself can’t help but look back and admit that you thought some of if not the same things about being an adult when you were a small child. I’ll admit that when I was younger I always got upset that I had a bedtime. There were those rare nights that I couldn’t sleep when I would sneak downstairs and watch TV in my living room, sitting on the rug on the floor with the lights out and the volume down low for fear of waking my parents and being caught. I would sit in school the next day and think, “I can’t wait to be a grown up and I can stay up late and watch TV and eat chocolate chip cookies.” While sitting at the Shubert theatre, already mesmerized by the joy and brilliance that is Matilda based off the beloved book by Roald Dahl and film by the same name I was left thinking about my childhood, yearning to be an adult and wondering when are we all grown up?
When I ventured into the Shubert theatre this past week, I was immediately engulfed into the world of Roald Dahl’s imagination. Often times a musical based off a novel, movie or in the case of Matilda both, the show tends to get lost as the creative team struggles to find what exactly needs to be kept and what can go. The same cannot be said for Matilda. The creative team found the elements from both the novel and movie that made it a cherished classic while adding new aspects to the show. It was a perfect blend of both the new and classic material making it a wonderful and one of the best stage adaptations of a book/movie that I have ever seen. The cast is incredible and the music is just beautiful to listen to.  
Growing up, Matilda was one of my favorite movies. Roald Dahl was one of my favorite authors and I read the book numerous times and just like Matilda I loved to read.  My eight-year old self secretly wanted to have powers like Matilda, eat a piece of chocolate out of Miss Honey’s fathers chocolate box and have a doll named Lissie. So, it comes as no surprise that I was incredibly excited to see this.
Whenever you find a show that you love there is always something about it that made you fall in love with it. It could be the storyline itself, you could’ve lived through it or relate to it on a certain level. It could be a particular character, song, dance, moment, particular lyric or line. For me, that moment in Matilda came during “When I Grow Up” When I saw the cast on the swings going back and forth, something that I loved as a kid and still do; I got the chills running up my spine and goose bumps appeared on my arms. It was one of those visceral moments when something is just so spectacular that you could watch or listen to it many times and it would still have the same effect on you like when Elphaba flies in “Defying Gravity” and during “Finale B” in Rent. During the song while listening to the lyrics and watching the scene unfold on the stage in front of me I began to think about my childhood and being a grown-up.
My childhood was amazing, don’t get me wrong I loved it! I had a mother, father and younger sister. I had toys, a room of my own, a swing set with room to run and roam and an obsession with the Disney princesses, Belle to be specific was my favorite. I was innocent and when not watching Disney movies or Arthur on PBS I loved to get lost in my books. I would sit with my Samantha American Girl doll, read and let my imagination run wild. I was able to get lost in the adventures of Jack and Annie in the Magic Tree House series (remember those!), Junie B. Jones, The Jewel Princesses, the American Girls and Nancy Drew. The characters in my books felt like dear friends, much like they do to Matilda, which is why I think when I discovered Roald Dahl’s books, that one really stuck with me. I loved Charlie and the Chocolate Factory, The Witches and The BFG but something about Matilda struck a chord within me. Why I didn’t really know at the age of eight, I think it started earlier.
I always had a vivid imagination as a kid. I would make up stories all the time and my cousins, my favorite childhood playmates and I were always thinking up new stories and games to play. Once we were pirates on a ship and we all had our own pirate names (mine was Isabella). But, when I was a child I wanted to be and thought that I was always older than I actually was! On career day in elementary school, instead of coming in dressed up like a doctor, nurse, teacher or vet like most kids did, I came in dressed as Belle. I wanted to be Belle at Disney World it was that plain and simple. My parents played into it, knowing that this was a passing phase and the next day I would want to be something else. They were right of course but it was then that I started to question what it was like to be an adult. At career day, our teacher asked us, what we would need to bring to work to do what we want to do, why we want to be what we wanted to be and such. I started to realize that I won’t be in school forever, that one day I would be a grown up and on my own. I could eat only the marshmallows in my Lucky Charms if I wanted to, watch Scooby Doo and play Barbie’s instead of going to bed because I would be a grown up and my parents wouldn’t be able to tell me what to do. It did scare me though and thought of not sleeping in my Cinderella bed for a night was not that appealing at the time but oh how I wanted to be a big girl! I think that is why I connected to Matilda as much as I did, because we both wanted to be big girls who were seen, heard and not laughed at! I started then and through the rest of my childhood I would wonder every now and then when am I a grown-up? Is it when I turn 18 and legally an adult and not a minor? Is it when I go off to college, when I’m out of my teens when I’m 20-21? Is it when I graduate college or is it when I am completely self-sufficient and on my own financially speaking?
I came to the conclusion that you really are an adult when you begin to make smart choices in your life regarding yourself, and treat people with kindness and respect as Miss Honey does in the show. People like Matilda’s parents the Wormwoods, make childish decisions and selfishly think that life is about them, not their children and often times put themselves first. Miss Trunchable played the fantastic Bertie Carvel, doesn’t treat people like she should and takes for herself what belongs to others like she did to her niece, Miss Honey. They might look like adults but they don’t act like one. Miss Honey however, is an adult. As displayed in the show she fights for Matilda and her students. She always wants to do what is best for them and will do what it takes to make them happy. That is what a true adult does and that is what is like being a grown-up bills and such aside.
As my mind goes back to this show that I love, I see the kids swinging on the stage and a for a moment, I want to be that young and innocent again, when life was easy, when being a revolting child was like it was in the show. I snap out of it and realize that being an adult isn’t saying to a child or anyone “I’m big, you’re little, I’m right, you’re wrong” as Matilda’s dad says to her. It’s about your attitude, mentality and how you treat others. You don’t have to always have to look like one. Matilda taught me that as a child and this incredible stage show showed me that again this past week. I hope that I am now and continue to grow into an adult like Miss Honey, but for now I won’t bore you with what I want from my aspirations but the kind of adult that I want to be when I grow up is someone like Miss Honey, who loves and respects everyone and who not only looks like but acts like an adult as well.

Friday, March 15, 2013

What Are You Holding On For?


Earlier this week I saw the new musical Hands on Hardbody over at the Brooks Atkinson theatre. I’m going to be the blunt person with no filter for the moment as I tell you that I was surprisingly very impressed. I’ll be honest I really was not expecting a lot from this musical. They have some great names in the cast and word of mouth has been pretty good but I always like to see a show and form my own opinion and now after seeing it I cannot agree more! The show is funny and heartwarming with truly wonderful characters that I fell in love with.
The show revolves around a contest in which ten contestants try to see who can hold on the longest to a truck without removing their hands from the vehicle and the person who holds on the longest well, they walk away with the truck. Each well-developed character is holding on for something. They want a fresh start, a chance to get back on their feet and they all believe that winning this truck will do just that for them. The theme explored throughout the show was if you want something hold on to it. It’s like the old adage, “If you love someone set them free” in the sense that if we really love someone we will let them go and as explored throughout the show if there is something that we really want, a goal to attain, a degree to earn we will hold on and not let go until we have achieved what we set out to do.
So what am I holding on for? When I first moved to New York I was looking for a fresh start and the chance to start over away from my small town that I love. I didn’t come to New York to find fame, money or prestige. I came to this concrete jungle to achieve the goals I set for myself and the aspirations that I had in life, including sharing my love of theatre with others in whatever which way possible. In a way I feel like Greg (Jay Armstrong Johnson) and Kelli (Allison Case) in the show who just want to get out of their small town in Texas and go someplace different to have a new start and feel that winning the truck would get them what the needed and were holding on for. In my story, I felt that relocating to Manhattan would help get me what I was so desperately holding on for a new life, a fresh start, the chance to go somewhere without perceptions of you that have followed you since childhood.
In the show most, if not all of the characters are also holding on for someone else as well. They want to not only improve their lives but their loved ones as well. They want to prove something to them that they can win this truck no matter what anyone says, especially the older JD Drew (Keith Carradine) who wants to show his wife Virginia (Mary Gordon Murray) that he can do what he sets his mind to and not care about what a doctor says. That is what I wanted to do when I moved, to prove to people that I could do it. When I was younger I was told no and often felt out of place in school as no one else really shared my intense love of theatre. They were listening to Lady Gaga while I was listening to Sondheim and were crushing on Justin Bieber when I was (and still am) crushing on Aaron Tveit. I felt like I owed this to myself and to my parents to show them that I am not going to let what people say get in the way, I am going to take a chance and go out there and be like contestant Janis Curtis (Dale Soules) is in the show who makes it clear that she finishes what she starts. I wanted to finish what I started and in my mind I did. I don’t want to say that I defied the odds because it makes it sound like I really overcame a huge obstacle that is much more important and venerable to my small feat but rather achieved what I wanted and more. My family claims that I truly surprised them by how I grew and changed as well as the fact that I thrived in New York and did not return home like they have admitted was their biggest fear. I’m still here in New York today spreading the word and my love of theatre around to you all and striving to achieve goals that I have set for myself. We are all like the contestants, we all have something we want so as I end this I ask you-what are you holding on for?

Thursday, January 31, 2013

Million Miles From Heaven


“Crowding out my vision, I am drowning in religion and I’m still a million miles from heaven.” This line from the opening song from the off-Broadway revival of Bare rings true in my head as sit in front of laptop and will my fingers to type. Now its final week of performances leading up to a very premature closing Bare could not have come at a better time for me. With the revival of Rent recently ending and my other go to favorite Dogfight having completed its limited engagement run over the summer I was yearning for a show to fill that empty void and then along came Bare. I had heard nothing but praise about the past professional New York productions and the same can be said about this one.
There have been very few shows that I can confidently say have really moved and changed me, Bare being the most recent. It started at the beginning and as Peter began with his opening monologue saying: “I was asked to say a few words. I thought I should begin by telling you who I am. You know how when you see a group picture you try to find yourself in it? I never do that. I’m always surprised I’m there.” I knew that I was witnessing something so special and precious. Throughout the duration of the performance I laughed, cried and came to realizations. I grew up with a mother who is a devout Catholic (she almost became a nun) and a father who is the complete opposite. I went to Catholic high school, Sunday school as a kid the whole nine yards so I can relate on that level. But whether you are religious or not I feel that everyone needs to see and experience the phenomenon that is Bare. Bare is very literal about the issues that young people face from Peter and Jason’s’ romance, teen pregnancy, scandals and drug use all set in a Catholic boarding school.
While it is amazing in and of itself on paper it takes a special group of people to bring these characters and this very important story to life. I cannot even begin to say how wonderful this company and creative team is that it can’t be summed up in a 140 character post-show tweet. It was them that really completed my emotional journey that night and made me look at their characters as people not a piece of fiction. Taylor Trensch gives a truly stunning and emotional portrayal of Peter that broke my heart as mine broke for his as you see him deal with Jason’s death and short-lived romance turned pregnancy with Ivy. Jason Hite as Jason beautifully showed everyone that not we are not all black and white. He illustrated that while we are all different, we all are still people who love but that unnecessary stereotypes and social stigmas can cause more than just hurt feelings. Elizabeth Judd’s captivating performance as the hurt and damaged Ivy shows us that we have to move on after a terrible incident and make the absolute best of the next chapter but some kindness and acceptance from others can make all the difference.  Barret Wilbert Weed’s standout performance as Jason’s’ troubled sister Nadia makes us realize that like no person is perfect so is no family and as messed up as they may seem they mean the world to you even if you realize it once its too late. The wonderful Missi Pyle as the kind and understanding Sister Joan proved that all it takes is some compassion and willingness to listen can mean all the world to someone who is struggling. These actors made me really feel their pain as my heart broke for Peter, Ivy and Nadia at Jason’s death, I felt the hurt and confusion that Ivy is faced with now having to raise a child on her own as a teen with the father now dead and when they all started to sing “Dear Jason” I was toast. That is what made the show so effective.
After the final curtain I was left reeling, both moved to tears and thinking “this message is so important, everyone needs to see this show and take something from it.” A few days later I went to see the show again and I got something totally different out of it as these characters have so many different layers that, while still an emotional wreck I took something different with me that time, the same with my third performance a week later. Bare built upon what Rent and Dogfight taught me which is love and acceptance something that seems to be lost in the younger generation. None of us are perfect; I’m far from it as the song states, “I’m still a million miles from heaven.” We all need to be more loving and understanding like Sister Joan is in the show, which is a theme that desperately needs to be heard. While I’m devastated to see this beautiful piece of theatre end this chapter of its life I know its not the end but I will be there on Sunday to hear this masterpiece be told one last time and to celebrate the important message that this story tells.